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GREGORY L. FARBER
Education
M.F.A., Creative Writing, with emphasis in Playwriting, Theatre/English departments,
Arizona State University, Tempe, Arizona, May 2007.
Thesis play: Bottom Line
Committee Members: Guillermo Reyes, Chair; Tamara Underiner, Jeff McMahon
B.A., English, Bentley College, Waltham, MA, December 2002, magna cum laude
Honor’s Thesis: “Dystopian Idea, Utopian Nightmare”
Teaching Experience
Adjunct Instructor, Department of
English, Montserrat College of Art.
2008-Present.
Planned a
first-year writing course designed to help students improve their
communication
and critical thinking skills. Students write several papers
wherein they
are asked to demonstrate their ability to summarize,
synthesize, and analyze
complex texts.
EN100: English Composition I
HU205: Humanities II
Adjunct Instructor, Department of
English, Bentley University. 2007-Present.
Designed a composition
courses around a variety of themes, including
technology, identity, and
personal and societal change. Asked students to
further their
critical writing and thinking skills by developing and
articulating
complex arguments and analyses. Chose the topic and texts
for the class while creating a syllabus and appropriate assignments.
Designed the course to progressively challenge students to read, think,
and write more complexly and critically. Individual student conferences
and office hours allowed for personal, one-on-one interaction to make
ensure student progress.
EXP 101: Expository Writing I
EXP 201: Expository Writing II
Teaching Fellow, Department of Theatre, Arizona State University. 2005-2007.
Solely responsible for creation and implementation of course. Provide course
syllabus, workshops, and lectures. Write and evaluate assignments. Hold student
conferences. Hold office hours. Courses include:
THP 261 / ENG 210: Introduction to Playwriting
THP 261 / ENG 210: Introduction to Screenwriting
Writing Teacher, 4 Star Academic Summer Camp, Charlottesville, VA. 2006.
Solely responsible for creation and implementation of three two-week courses for
high school students looking to continue their education over the summer.
Created course syllabi, lectures, in-class exercises. Courses include:
Essay Writing
Creative Writing: including scriptwriting, poetry, fiction
Teaching Assistant, Department of Theatre/Department of English, Arizona State
University. 2004-2007.
Delivered lectures, graded assignments, held workshop sessions, held office
hours. Courses include:
THP 261 / ENG 210: Introduction to Screenwriting
THP 260 / ENG 210: Introduction to Playwriting
THP 498/598 / ENG 498/598: The Writer’s Journey
Writing Tutor, Writing Center, Bentley College, Waltham, Massachusetts. 2000-2002.
Provided assistance to students in all aspects of writing. Students included ESOL,
remedial, and advanced. Assisted in evaluation and development of training for
new tutors.
Teaching Assistant, Department of English, Bentley College, Waltham, Massachusetts.
2002.
Co-developed syllabus, assignments, and evaluations. Graded and evaluated
papers, led class discussions and workshops. Course:
EXP101L: Expository Writing
Co-Facilitator, First Year Programs, Bentley College, Waltham, Massachusetts. 2002.
Created weekly lesson plans, delivered lectures, graded assignments, conferenced
with students. Course:
Freshman Seminar
ESOL Microsoft Excel Tutor, St. Mary’s, Waltham, MA, Spring 2002. Volunteered to
teach adult ESOL students how to use MS Excel. Helped students learn
technology and business related English words and phrases. Tutored students in
the use of computers for business and professional activities.
Teaching and Research Interests
Expository writing
Creative Writing
Playwriting
Screenwriting
Experimental/Avant Garde dramatic literature
Contemporary dramatic literature
Productions
“Like Father Like Daughter,” excerpt from Bottom Line
Exclamation
Point! short play festival, Fort Point Theatre Channel, Boston, MA
March 2008.
Bottom Line, full-length play
MFA staged
reading series, Arizona State University, April 2007.
“Statement,” ten-minute play
Insomnia and Sunglasses,
Playwrights on Campus evening of ten-minute plays,
Arizona State
University, February 2007.
“Jesus
on the High Seas,” ten-minute musical, co-written with Jeremiah
Clay
24-Hour Play
Festival, Playwrights on Campus, Arizona State University,
January 2007.
Bottom Line, full-length play
staged reading, Festival
of New Work, Arizona State University, November 2006.
“Journalistic Integrity,” one-act play
Buffalo
Buffalo Buffalo, Playwrights on Campus evening of one-act plays,
Arizona State University,
October 2006.
“Penury Penitentiary,” ten-minute play
Gardner-Webb University Festival of New Work, Boiling Springs, NC, April
2006.
Broken Memories, full-length play
MFA staged reading series, Arizona State University, April 2006.
Taking Leave, full-length play
Arizona State University’s Mainstage season, November 2005.
Unlucky Little Lamb, one-act play
Festival of New Work, Firehouse Center for the Arts, Newburyport, MA,
September 2005.
“Penury Penitentiary,” ten-minute play
Five of a Kind, ten-minute play festival, ASU, October 2005.
Taking-Leave
MFA staged reading series, ASU, April 2005.
“Simon Says,” ten-minute play
workshop production, ASU, March 2005.
“No Place Like Home,” ten-minute play
workshop production, ASU, February 2005.
“The Following is a Paid Presentation,” ten-minute play
Teatro Caliente festival, Theatre in My Basement, Phoenix, AZ, October 2004.
“The Following is a Paid Presentation,” ten-minute play
Gods, Guns, and Gynecologists ten-minute play festival, ASU, October 2004.
The Salesman’s Son, one-act play
Bentley College, Waltham, MA, February 2003.
Publications/Exhibits
“Wherever Home Is,” poem/print exhibited
Arizona State’s STEP gallery. Developed as a collaboration among photographer
Tracy Longley-Cook, poet Katherine Larsen, and myself as part of Visual Text 2:
Connection project, February 2006.
“Playwrights’ News,” online publication
Chronicle of Arizona State alumni productions and news, 2005.
“Central Artery,” poem/print exhibited
Arizona State’s Harry Wood gallery. Developed as a collaboration between sculptor
Alison Young and myself as part of the inaugural Visual Text: Transformation project,
January 2005.
“Shoot,” poem
Published in Piecework, April 2002.
Professional Experience
Director of
Development, Theatre on Fire, Charlestown, MA, 2008-Present.
Worked to increase
local presence, develop online marketing tools, and devise
a long-term marketing strategy. Researched and wrote grants, and helped make
decisions about theatre’s season. Helped raise money though grants, donations, and
sponsorships.
Co-founder/Vice President of Playwrights on Campus, Arizona State
University,
2006-2007.
Founded an
organization which allows students of all levels to experience
productions,
readings, and discussions of their plays. Promoted the
organization
and its productions. Responsible for writing grants and securing funding.
Managed finances and budgets for the organization in the short-term while creating a
long-term organizational model which allows for the continual transition of leadership
and consistent revenue streams. Developed mutually beneficial relationships with
other local theatrical organizations, both on- and off-campus. Helped choose, schedule,
and organize a season of three to four productions, including securing space, equipment,
and funds as well as directors,
designers, actors, stage managers, and crew.
Reader/Judge, Arizona Playwrights’ Competition.
Read,
summarized, and commented on submitted plays for the contest as
part
of a group of readers and judges.
Proofreader, Curriculum Associates, Billerica, Massachusetts.
Edited and
proofread educational books, pamphlets, and other materials for
style,
content, grammar, and punctuation.
Brief Editor, CCBN, Boston, Massachusetts.
Edited, for
style and content, financial briefs to be posted on companies’
websites.
Production-related Experience
Assistant
Stage Manager, 7 Blowjobs, by Theatre on Fire, Charlestown, MA, 2008.
Co-producer of
Insomnia and Sunglasses, ten-minute play festival. Managed
budget,
designed and
distributed publicity, organized rehearsal and performance space,
and
worked with playwrights, directors, and designers to coordinate all aspects of production.
February 2007.
Co-producer of
24-Hour Play Festival. Gathered and organized over 50 theatre
artists to
produce short
plays in 24 hours. Coordinated rehearsal times and spaces as well
as
designed, organized and
distributed publicity. January 2007.
Co-producer of
Buffalo Buffalo Buffalo, evening of one-act plays. Organized
directors,
playwrights,
designers for the plays. Scheduled space, rehearsals, and
performances
as well as publicized the event and managed the event’s budget.
October 2006.
Assistant
Dramaturg for La Vida Loca in Arizona State University’s
Mainstage Festival
of New
Work. Helped edit final draft of play, helped give critical
feedback on
script,
assisted in cultural research for use by designers. November 2006.
Producer of
Five of a Kind, ten-minute play festival. Organized all aspects
of production of
festival, including finding directors, scheduling performances and rehearsals, and
developing publicity.
October 2006.
Organizer of
MFA Playwrights Staged Reading Series. Organized staged readings
for six
new
works. April 2006.
Producer of
Gods, Guns, and Gynecologists, ten-minute play festival.
Organized all
facets of
production, including recruiting directors, scheduling performances and
rehearsals,
and designing and distributing publicity. October 2005.
Grants
Virginia G. Piper Center for Creative Writing, ASU, funding awarded for Playwrights on
Campus production of one-act plays. Fall 2006
Division of Graduate Studies Travel Grant, for expenses associated with representation at
the Firehouse Center for the Arts production of “Unlucky Little Lamb.”
September 2005.
Service
Capstone mentor for undergraduate playwright.
Served as a
mentor for a graduating senior as he completed a full-length play as
his final
project at Arizona State University. Spring 2007.
Graduate and
Professional Studies Association Grant Reviewer. Fall 2006.
Capstone mentor for undergraduate playwright.
Mentored a graduating
senior in the School of Theatre and Film as he completed a
one-act play
for his final project. Spring 2006.
Distinctions
Professional Development
Preparing Future Faculty Program, ASU: A one-year series of seminars dealing with
issues of teaching at the university level, 2005 – 2006.
Course & Syllabus Design workshop: Center for Learning and Teaching Excellence,
ASU. September 2006.
Outstanding TA Panel: Division of Graduate Studies Strategies for Success, ASU,
April 2006.
Using Humor in Teaching workshop: Preparing Future Faculty, ASU, March 2006.
Academic and Artistic Freedom in the University workshop, Preparing Future Faculty,
ASU, November 2005.
Peer Review in Expository Writing workshop: Bentley College English Department,
Bentley College, October 2001.
Professional Affiliations
Dramatists Guild
Playwrights Center, Minneapolis
StageSource, Boston
References
References will be provided upon request.